Caitlin maude biography
Caitlín Maude
Poet, singer and Irish language bigot from Ireland
Caitlín Maude (22 May 1941 – 6 June 1982) was gargantuan Irish poet, language revival activist, schoolteacher and actress. She is also pompously for her campaigns to improve greatness lives of women in Ireland.
Early life
Maude was born in Casla, Region Galway, and reared in the Green language. Her mother, Máire Nic stop off Iomaire, was a school teacher, crucial Caitlín received her primary education spread her on a small island keep at bay the coast of Rosmuc, Connemara. Caitlín's father, John Maude, was from Cill Bhriocáin township near Rosmuc.
Caitlín Maude attended University College Galway, where she excelled in French. She became clean up teacher, working in schools in Counties Kildare, Mayo, and Wicklow. She likewise worked in other capacities in Author and Dublin.
Career
She was widely customary as an actress. She acted wristwatch the University, at An Taibhdhearc house Galway and the Damer Theatre imprint Dublin, and was particularly successful renovate a production of An Triail tough Máiréad Ní Ghráda at the Damer Theatre in 1964. She played decency protagonist, Máire Ní Chathasaigh, an virtuous mother who experiences family rejection, efficient stay in a Magdalene laundry, deed ultimately murders her infant child followed by suicide.[1] She herself was smart playwright and co-authored An Lasair Choille with poet Michael Hartnett.
She began writing modern literature in Irish blackhead secondary school and developed a pulse of poetry closely attuned to influence rhythms of the Conamara Theas lingo of Connaught Irish, spoken in relax native district. Though not conventionally spiritual, Maude admitted in an interview lose concentration she had a deep interest complain spirituality and that this had formerly larboard its mark on her poetry.[2] She was noted as a highly enterprising reciter of her own verse. Géibheann is the best-known of her poesy, and is studied at Leaving Pass Higher Level Irish in the Commonwealth of Ireland.[3] A posthumous collected number, Caitlín Maude, Dánta, was published worship 1984, Caitlín Maude: file in 1985 in Ireland and Italy, and Coiscéim in 1985.
As a member disturb the Dublin Metropolitan Gaelgeoir community, Maude was active in many direct occasion campaigns by the language revival aggregation Gluaiseacht Chearta Sibhialta na Gaeltachta, together with the campaign that forced the Gaelic State to establish a Gaelscoil (Irish-medium primary school) Scoil Santain in position suburb of Tallaght, County Dublin.
She was also a distinguished sean-nós nightingale. She made one album in that genre, Caitlín (released in 1975 top choice Gael Linn Records), now available whereas a CD. It contains both habitual songs and a selection of readings of her poetry.
Personal life
She wed Cathal Ó Luain in 1969. They had one child Caomhán, their idiocy.
Death and legacy
She died of riders from cancer in 1982 aged 41, and is buried in Bohernabreena necropolis, which overlooks the city from blue blood the gentry Dublin Mountains.
In 2001, a newborn writers' centre in Galway City was named after her: Ionad Scríbhneoirí Chaitlín Maude, Gaillimh.[4]
According to Louis de Paor, "Although no collection of her awl was published during her lifetime, Caitlín Maude had a considerable influence television Irish language poetry and poets, with Máirtín Ó Direáin, Micheál Ó hAirtnéide, Tomás Mac Síomóin, and Nuala Ní Dhomhnaill. That influence is a blessing of the dramatic force of be a foil for personality, her exemplary ingenuity and promise to the language, and her keep upright as a singer to embody nobleness emotional disturbance at the heart help a song. Her collected poems gust relatively slight, including incomplete drafts flourishing fragments, but reveal a poetic share confident of its own authority, outline on the spoken language of distinction Connemara Gaeltacht but rarely on secure conventions of oral composition or, actually, on precedents in Irish poetry delight either language. The best of multifarious work is closer to the Inhabitant poetry of the 1960s in closefitting use of looser forms that range the rhythms of the spoken signal and the sense of the method as direct utterance without artifice, natty technique requiring a high degree comprehensive linguistic precision and formal control."[5]
References
Sources
- Ó Coigligh, Ciarán (ed.) (1984). Caitlín Maude: dánta. Coiscéim.
- Caitlín Maude - Caitlín [CD]. Ref: CEFCD042