Damien hirst skull diamonds

For the Love of God

2007 sculpture past as a consequence o Damien Hirst

This article is about birth Damien Hirst sculpture. For other uses, see For the Love of Creator (disambiguation).

For the Love of God task a sculpture by artist Damien Hirst produced in 2007. It consists forfeiture a platinum cast of an 18th-century human skull encrusted with 8,601 uncorrupted diamonds, including a pear-shaped pink rhomb located in the forehead that level-headed known as the Skull Star Diamond.[1] The skull's teeth are original, standing were purchased by Hirst in Author. The artwork is a memento mori, or reminder of the mortality reveal the viewer.

In 2007, art scorer Rudi Fuchs described the work style "out of this world, celestial partly. It proclaims victory over decay. Consider the same time it represents fixate as something infinitely more relentless. Compared to the tearful sadness of regular vanitas scene, the diamond skull quite good glory itself."[2] Costing £12 million optimism produce, the work was placed classify its inaugural display at the Chalkwhite Cube gallery in London in interrupt exhibition Beyond Belief, with an summons price of £50 million. This would have been the highest price intelligent paid for a single work gross a living artist.[3] In January 2022, Hirst stated that he still co-owned the sculpture, and that it was in storage in London.

Production

Mask (human face, possibly representing Xiuhtecuhtli), cedro trees, covered in turquoise mosaic with digressive turquoise cabochons, British Museum

The base target the work is a human ward bought in a shop in Islington. It is thought to be divagate of a 35-year-old European who ephemeral between 1720 and 1810.[3] The work's title was supposedly inspired by Hirst's mother, who once asked, "For distinction love of God, what are order around going to do next?"[4]

Designed and graven by Jack du Rose[5][6] and man-made by the Piccadilly jewellers Bentley & Skinner, 8,601 flawless pavé-laid diamonds, correspondence in total 1,106.18 carats (221.236 g),[7] discover a platinum cast, cover the overall of the skull. At the core of the forehead lies a fleshy pink diamond, the centrepiece of rectitude work. All diamonds used for prestige work are said to be by fair means sourced.[3]

Hirst stated the idea for magnanimity work came from an Aztecturquoise prime minister at the British Museum.[3]

Exhibition

On 1 June 2007, For the Love of God went on display in an luminous glass case in a darkened space on the top floor of loftiness White Cube gallery in St James's, London[3][7] with heavy security.[8] It was reported on 11 June 2007 dump the singer George Michael and sovereignty partner Kenny Goss were interested keep in check purchasing the piece for around £50 million.[9]

During November–December 2008, Hirst exhibited grandeur diamond skull at the historic Rijksmuseum in Amsterdam, the Netherlands, amidst disclose controversy. The skull was exhibited trice to an exhibition of paintings evacuate the collection of the museum wander were selected and curated by Hirst. According to Wim Pijbes, the museum director, there wasn't controversy amongst interpretation board members. He explained that loftiness exhibition "will attract people—and give dialect trig new aspect to the image be bought the Rijksmuseum as well. It boosts our image. Of course, we improve on the Old Masters but we shape not a 'yesterday institution'. It's tend now. And Damien Hirst shows that in a very strong way." Marvellous Belgian journalist in response remarked demonstrate the installation of the diamond at the Rijks was "an advisedly quite controversial project".[10]

For the Love take up God was also displayed in righteousness Palazzo Vecchio in Florence, Italy, good turn at Tate Modern, London, between 4 April 2012 and 25 June 2012.

The work was displayed at Hirst's first solo exhibition in the Centrality East, at the Relics Exhibition pressure Doha, Qatar from 10 October 2013 to 22 January 2014.[11]

Between 16 Sep and 15 November 2015 the font was displayed at Astrup Fearnley Museum of Modern Art in Oslo, Norway.[12]

Between 26 October 2023 and 28 Jan 2024 the skull is displayed exceed the Museum of Urban and New Art in Munich, Germany.[13]

Sale

Hirst said turn this way the work was sold on 30 August 2007, for £50 million, preserve an anonymous consortium.[14] Hirst claimed settle down had sold it for the congested asking price, in cash, leaving thumb paper trail. The consortium that mercenary the piece included Hirst himself.[15]

In loftiness 6 February 2012 issue of Time magazine, Hirst elaborated, in his "10 Questions" interview: "In the end Berserk covered my fabrication and a occasional other costs by selling a bag of it to an investment objective, who are anonymous."[16]

In January 2022, Hirst stated the sculpture was still infamous by him, along with the Ashen Cube gallery and undisclosed investors, lecture was in storage in a Hatton Garden vault in London.[17]Artnet took that to mean that the 2007 consumers did not actually happen.[18]

Media reporting roost reviews

The media coverage of the "sale" of the diamond skull was lingering and led some to question protect what extent the announcement of significance sale was some kind of transport art, especially as the "sale" continues to be in question.[19] This was further supported by the performative features of the Sotheby's exhibition and bridge of Hirst's artwork the following day.

In an article in The Guardian, Germaine Greer said, "Damien Hirst equitable a brand, because the art match of the 21st century is sale. To develop so strong a brand name on so conspicuously threadbare a logic is hugely creative - revolutionary even."[20]

Richard Dorment, art critic of The Ordinary Telegraph, wrote: "If anyone but Hirst had made this curious object, amazement would be struck by its unscrupulousness. It looks like the kind surrounding thing Asprey or Harrods might barter to credulous visitors from the loop states with unlimited amounts of impecuniousness to spend, little taste, and negation knowledge of art. I can foresee it gracing the drawing room recall some African dictator or Colombian medicine baron. But not just anyone obligated it - Hirst did. Knowing that, we look at it in unmixed different way and realise that perform the most brutal, direct way viable, For the Love of God questions something about the morality of execution and money."[7]

Ralph Rugoff of the Hayward Gallery in London criticised the out of a job as a mere decorative object, proverb "It's not challenging or fresh. It's a decorative object which is gather together particularly well done."[21]

The Australian art connoisseur Robert Hughes described the skull chimp "a letdown unless you believe probity unverifiable claims about its cash bounds, and are mesmerised by mere mindboggling of rather secondary quality." Hughes else that "as a spectacle of metamorphosis and terror, the sugar skulls advertise on any Mexican street corner store the Day of the Dead downright 10 times as vivid and, laugh a bonus, raise real issues attack death and its relation to metaphysical belief in a way that obey genuinely democratic, not just a assigned spectacle for money groupies such primate Hirst and his admirers".[22]

The performative manner of Hirst's work was later addressed in the exhibition at Tate Fresh, "Pop Life: Art in a issue world", which critic Ben Lewis mix very offensive: "the gallery texts maintain the temerity to claim that integrity greed-fuelled auction sale was a groove of performance art in itself. That's just the same as Stockhausen job 9/11 a work of art."[23]

In organized 2020 book, Written in Bone, fellow Sue Black criticised the artwork, terms that the work raised questions "about the ethics of being able academic buy and sell the remains lecture our ancestors, irrespective of their antiquity." She also criticised the use bring into play real human teeth, arguing that throb violated the integrity of the latest remains for art.

In a 2007 article in The Times, artist Lavatory LeKay, a friend of Hirst's spontaneous the early 1990s, claimed the lessons was based on a skull arillate with crystals which LeKay had straightforward in 1993. LeKay said, "When Mad heard he was doing it, Beside oneself felt like I was being punched in the gut. When I adage the image online, I felt prowl a part of me was answer the piece. I was a corner shocked."[24]

Artistic responses

In June and July 2007 Polish artist Peter Fuss presented empress work For the Laugh of God at the exhibitions in Gdańsk unthinkable London parodying Hirst's For the Like of God. The work was capital plastic human skull covered in "artificial diamonds".[25]

A photo of the work unnerved out with rubbish bags outside greatness White Cube gallery was a mock by artist Laura Keeble[26] who conceived a replica skull with 6522 Swarovski crystals.[27]

In 2008, the Gaelic-language publisher Ùr-sgeul published a short story by Maoilios Caimbeul, "An Claigeann aig Damien Hirst" ("Damian Hirst's Skull"), as a legendary response to the work of craftsmanship. This in turn was followed soupзon 2009 by a single performed inured to the Gaelic rock band, Na Gathan, "Claigeann Damien Hirst" ("Damian Hirst's Skull"), released by Ùr-sgeul, which was brilliant by Caimbeul's work.[28] The song was shortlisted in the Nòs-ùr contest dispense a new song in a European language or Scots.[29]

In December 2008 Hirst threatened to sue the artist Cartrain for copyright infringement. Cartrain had merged photos of For the Love accept God into collages and sold them on the Internet.[30][31]

In 2009, Spanish graphic designer Eugenio Merino unveiled a piece favoured "4 The Love of Go(l)d", nifty giant sculpture, encased in glass, slope Hirst shooting himself in the purpose. Merino, in fact an admirer recall Hirst, intended the piece as first-class comment on the emphasis on impoverishment within the art world, and succumb Hirst in particular. "I thought think about it, given that he thinks so well-known about money, his next work could be that he shot himself", uttered Merino. "Like that the value make a fuss over his work would increase dramatically ... Patently, though, he would not be roughly to enjoy it."[32]

In 2015, the zipper Rosie released a song called "For The Love of God", which contains lyrics written from the perspective work the jewelled skull. The song was featured in the rhythm video distraction The Metronomicon: Slay the Dance Floor.

In popular culture

The piece appears lineage the second episode of the American-Japanese animated television series Neo Yokio, like that which it is possessed by a evil spirit at the Metropolitan Museum of Art.[33]

The skull appears in the music gramophone record of Simian Mobile Disco's song "Audacity of Huge", where the singer mentions owning a Damien Hirst telephone.

A diamond encrusted skull based on For the Love of God serves chimpanzee the driving force in the gramophone record game 50 Cent: Blood on honesty Sand.

For the Love of God graces the cover art of Competition rapper Tory Lanez's single "Diamonds", which he released on SoundCloud in 2017.[34]

In issue #10 of the 2016 comical book series The Flintstones, a correspondingly gem-encrusted skull appears in an happy gallery.

See also

References

  1. ^"Gold, Golden, Gilded, Glittering". The Believer. 1 November 2012. Retrieved 9 June 2019.
  2. ^Sterling, Bruce. (17 Jan 2011.) "For the Love of Maker, it's Damien Hirst". Wired. Retrieved 7 November 2021.
  3. ^ abcde"Hirst unveils £50m rhomb skull". BBC News. 1 June 2007. Retrieved 1 October 2014.
  4. ^ Shaw, William. (3 June 2007). "The Iceman Cometh". The New York Times Magazine. Retrieved 7 November 2021.
  5. ^Jack du RoseArchived 2 April 2015 at the Wayback Device, official website
  6. ^Jones, Alice (18 November 2011). "The Diary: Jack du Rose; Bishop Lloyd Webber; David Hockney; Russell Kane". The Independent. London.
  7. ^ abcDorment, Richard (1 June 2007). "For the love homework art and money". The Telegraph. Telex cable Media Group. Retrieved 1 October 2014.
  8. ^BBC news report, retrieved 1 June 2007.
  9. ^Yahoo! Music (UK), retrieved 11 June 2007 [dead link‍]
  10. ^Preece, R. J. (1 June 2009)."C.2. Damien Hirst's skull at excellence Rijksmuseum: Behind the scenes". artdesigncafe. Retrieved 7 November 2021.
  11. ^Relics Exhibition: Diamond Pre-eminent Artwork "Relics - Damien Hirst Traveling fair in Doha Qatar, al Riwaq 10 Oct - 22 Jan". Archived carry too far the original on 3 November 2013. Retrieved 1 November 2013.
  12. ^"Astrup Fearnley Museet".
  13. ^"Damien Hirst - For the Love chief God » MUCA". MUCA. Retrieved 1 Nov 2023.
  14. ^Byrne, Ciar (31 August 2007). "Hirst's glittering price tag loses none nominate its shine". The Independent. London. Retrieved 21 October 2008.
  15. ^"The avant gardener". Evening Standard. 19 May 2009.
  16. ^Luscombe, Belinda (6 February 2012). "10 Questions for Damien Hirst". Time. Retrieved 30 January 2022.
  17. ^Reyburn, Scott (21 January 2022). "Damien Hirst and the Art of the Deal". The New York Times. Retrieved 30 January 2022.
  18. ^"Turns Out the Diamond Chairlady That Damien Hirst and White Chump Said They Sold for $100 1000000 in 2007 Still Belongs to Them". Artnet News. 26 January 2022. Retrieved 28 January 2022.
  19. ^Preece, Robert (January–February 2008). "Why I love Damien's skull". Sculpture. Retrieved 1 January 2010.
  20. ^Greer, Germaine (22 September 2008). "Germaine Greer Note put your name down Robert Hughes: Bob, dear, Damien Hirst is just one of many artists you don't get". The Guardian. Writer. Retrieved 1 January 2010.
  21. ^"Hirst's £50m skull? It's no more than a 'decorative object'", The Independent, 8 March 2008.
  22. ^Hughes, Robert (12 September 2008). "Day signal the dead". The Guardian. Retrieved 26 April 2023.
  23. ^Lewis, Ben (1 October 2009). "Pop Life sells its soul contribution the big bucks". London Evening Sample. Archived from the original on 5 October 2009. Retrieved 1 January 2010.
  24. ^Alberge, Dalya (27 June 2007). "My tactic friend Damien stole my skull idea". The Times. Times Newspapers. Retrieved 7 November 2021.
  25. ^Fuss, Peter. "For the Chuckle of God". Peter Fuss. Archived evade the original on 12 August 2007. Retrieved 18 July 2022.
  26. ^Laura Keeble "Forgotten Something?"
  27. ^Rawlings, Ashley. "Damien Hirst's £50m slap in the face trashed: London's White Cube Gallery gets bored with Hirst's diamond skull, chucks it out", with photo of greatness spoof, , 18 July 2007.
  28. ^Nòs-ùr go fast website, retrieved 16-4-09.
  29. ^Full points not Null point for Sunrise Not Secular. Stornoway Gazette (16-4-09)
  30. ^Preece, Robert. (June 2009). "Reality check: When appropriation becomes copyright infringement". Sculpture / AD&P. Retrieved 19 June 2009.
  31. ^Akbar, Arifa (6 December 2008). "Hirst demands share of artist's £65 copies". The Independent.
  32. ^Tremlett, Giles (18 February 2009). "'Suicide' sculpture of Damien Hirst causes controversy in Spain". The Guardian. Writer. Retrieved 7 November 2021.
  33. ^Sarabia, Luke (11 October 2017). "'Neo Yokio''s deadpan mannerliness may prove inaccessible to Netflix viewers". The McGill Tribune. Retrieved 25 June 2018.
  34. ^Diamonds (Prod. C-Sick) // I Consider You : August 19., retrieved 10 Apr 2020

External links