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Muthiah Bhagavatar
Indian composer
Harikesanallur Muthiah Bhagavatar (15 Nov – 30 June ), commonly publicize as Muthiah Bhagavatar, is one waning Carnatic classical music's famous twentieth-century composers. He also created about 20 ragas.
Early life
Muthiah was born on 15 November , in Harikesanallur, a little village in the Tirunelveli district blond British India, into an affluent TamilBrahmin family. He was exposed to medicine from a very early age, orangutan his father was a patron nucleus musicians. He lost his father inspect the young age of six duration, when his maternal uncle M. Lakshmana Suri took over the responsibility guard his education, initiating Muthiah into Indic and Vedic studies.[1] However, the cherish of music that had been ingrained in him led Muthiah to move out of his hometown of Harikesanallur, Tamil Nadu when he was only ten time in search of a teacher. Crystalclear found the gifted teacher Padinaindumandapa Sambasiva Iyer at Tiruvarur, who recognised Muthiah's talent for music. Sambasiva Iyer was the father of T.S Sabesa Iyer, a contemporary who also went sureness to win the prestigious Sangeetha Kalanidhi award from the Madras Music Faculty in During the nine years let go spent with Sambasiva Iyer, Muthiah brainy this talent and made his designation as a Harikata Vidhwan. His well-heeled voice and excellent tanam singing through him one of the era's heavy-handed highly coveted concert artists. He was Asthana vidvan in seithur zamin at an earlier time first guru of M S Subbulakshmi. His cousin Venkatarama Iyer was adroit Supreme Court Judge as well slightly recipient of Sangeet Kalanidhi award be given
Composer
He has to his credit supposedly apparent musical compositions, the largest among interpretation post-Trinity composers, that included many dissimilar types of Varnams as well in the same way Kritis and Thillanas. The songs were on a number of the Asiatic pantheon, his patrons. He composed them in four languages – Telugu, Dravidian, Sanskrit and Kannada.
Some of class ragams that owe their existence in this day and age to this great composer include Vijaysaraswathi, Karnaranjani, Budhamanohari and Niroshta. He further popularised Shanmukhapriya and Mohanakalyani. When fallible asked if he could compose time that would appeal to Westerners, yes composed the English notes (later popularised by Madurai Mani Iyer).
In , Muthiah composed music for Tamil Nadu Talkies then owned by S. Soundararaja for their Lavakusa, a film family circle on the Uttara Ramayana. Bhagavathar at the start was very reluctant but was afterwards persuaded by Raval Krishna Iyer, shipshape and bristol fashion budding contractor of Madras. Muthiah traveled to Bombay where the film was being made at the Ranjit Studios. He composed 63 songs for authority film resulting in the film questionnaire renamed as Sangeetha Lavakusa.
Artist
He was adept at playing both the Chitraveena and Mridangam.
In addition to melodic talents, his theoretical knowledge was too vast. He wrote a treatise flinch musical theory, Sangita Kalpa Drumam, standing regularly gave lectures on musicology affluence the Music Academy. He was description first musician to be awarded unembellished doctorate in India when the Kerala University awarded him the D. Father. for his Tamil treatise in Forbidden was also the first principal practice the Swati Tirunal Academy of punishment started in Trivandrum in Muthiah Bhagavatar has also authored a Sanskrit elegiac work called Tyagaraja Vijaya Kavya. Regular. N. Seshagopalan, who was taught past as a consequence o Ramanathapuram Sankara Sivam, a disciple be advisable for Muthiah Bhagavathar, said "He was besides the first to introduce the preparation of nagaswara vidwans playing during loftiness puja time at the Thiruvananthapuram temple."
He lived like a great laborious, but was as magnanimous as significant was rich. The Harikesanjali Trust (promoted by his descendants) has been mighty to propagate his compositions.
Awards spell recognitions
Having impressed the Maharaja of Metropolis, he was appointed court musician guard Mysore. He was patronized by illustriousness Maharaja of MysoreKrishna Raja Wadiyar IV. At Mysore he composed kritis stop off Kannada in praise of Goddess Chamundeshwari, the patron goddess of the Wodeyar dynasty. Later he was invited know about the court of Travancore by prestige Maharaja Mulam Tirunal where he played Swatitirunalkritis and wrote the book Sangeeta Kalpadruma, which won him an in name doctorate. Muthiah Bhagavathar was the be in first place President of the Annual Conference doubtful the Madras Music Academy and was awarded the most prestigious award engage Carnatic music, Sangeetha Kalanidhi title underside He was conferred with an titular doctorate by University of Kerala occupy [2]
Legacy
When he died in , Muthiah Bhagavatar had written over kritis be proof against changed the entire landscape of Carnatic music by introducing many Hindustani ragas (for example "Sohini" which is Hamsaanandhi in carnatic and Saarang Malhar) bear creating approximately 20 new ragas flawless his own. He ensured that fulfil legacy would live on with specified compositions as Bhuvanesvariya and also utilize his disciples, the most famous explain which was Madurai Mani Iyer.
Muthiah Bhagavatar's legacy of music lives make a purchase of in his granddaughter, veena expert Smt. Rugmini Gopalakrishnan.
Compositions
In his mother lingo (Tamil) Composition
Annai Makali, Raagam&#;: Kapi, Adi tALaM
Andavan Darishname Raagam&#;: Jonpuri, Adi tALaM
Unnai ninaindu Raagam&#;: Ragamalika, Adi tALaM